White Rabbits in Brooklyn

I must have been stuck in a hole across the river as the White Rabbits have been hopping about enchanting people with their super cool music. If you haven't seen them—all six of them serious talents with their intense drumbeats, solid vocals, and entrancing melodies and harmony, you must see them now. These guys are amazing!
I thought I was blown away by another break-through band, Mutemath, a few years ago, but I am totally blown away by this band's live performance of "Percussion Gun" and "The Lady Vanishes" in Yahoo's "The New Now" music; Percussion's live version is as good, if not even more engaging, as the official video less the creative music video production aspects.





This is their earlier video.

J Fallon's and J Timberlake's Awesome Musical Chemistry

...I need not say more, except watch this super entertaining clip.

Summer (poeTry)

by amica page



Waves crashing
Feet rushing
Foams forming
Breaking tides

Bodies swaying
Legs paddling
Arms swinging
Zooming balls

Hands brushing
Castle-building
For waves to crash against
And hands to brush again

Feet digging
Sand-printing
Floating clouds above
Flying wings, like doves

Kites soaring
Wind blowing
Everything going
Right before my eyes.

The maggot and the Shell (poeTry)

by amica paige



Did you hear about the maggot?
Apparently, it was really a caterpillar
Which later turned into a butterfly.

No wonder my back felt so heavy…
They were invisible wings really...

I used to be a turtle, so slow
I hid in a shell, you know
I knew I’d get there in time
I knew I’d fall right in line
In a turtle soup, pure
At a lodger’s inn, sure
I knew I’d get there, somehow
I knew I’d get there ‘til now.

But the wind changes course, you know
A mustard seed fell, of course
On good ground, so well
It grew like a tree, you see
One day I woke up I’m free
My eyes started to see so clearly
The weight was lifted off my back
So long as I don’t look back.

So then I looked up and crawled
Where the mustard seed fell, of course
On good ground, so well
And grew like a tree, you see
Where the maggot discovered her
Wings that sprouted where the shell
Had been lifted off her back
Her Spirit will never lack.

Write (poeTry)

by amica page



Write, write
What to write?
Think, think
What to think?
Go beyond
What is already there

Open your mind
When your eyes don’t see
Hear with your heart
What your ears don't heed
Then your hand will write
What is already there

Why do you strain
For something not there
When here all along
Is your train of thought?
So hear with your heart
That your mind will see

6th Degrees of separation: Michel Gutsatz, Via Roma Pizza, Steve Jobs, Truman, Willy Wonka, and My Coffee and Me

“Each of these private brands was structured like a real national brand: they carry a story, have a strong graphic identity ... and are presented mostly as independent sales displays, giving them even more impact. Via Roma is in this respect, a real success: it conveys authenticity, proximity, fun ... and not the nth 'Italian brand" of the market (all the visuals are pictures of the inhabitants of an Italian village” — okay, stop right here, unless you’re into marketing strategies and product branding, in which case you’d want to go to both the picture's and quote’s source, Michel Gutsatz, a Brand Strategy Consultant. Otherwise, let’s keep it plain and simple and stick to the real topic here, which is food.

I’m going to assume that Friday night is pizza night for most Americans regardless of ethnicity, unless you’re out partying with one hand clasped around a Heineken’s neck and the other too busy raising the roof in some nightclub. So, this evening led me to A&P in search of some wholesome pizza. Okay, two points need clarifying. One, I know that wholesome and pizza don’t really mesh, but please don’t knead me, I’m trying. Besides, you’d be surprised at what you’d find at the grocery aisles now, even with the usual barrage of sinful munchies that should forever be exiled from our reaches to preserve our health and will power; and yet you shouldn’t be surprised at all anymore in this day and age, especially when Steve Jobs has already unveiled what once were mere imagination and impossibilities. As an aside, I wouldn’t be too surprised either if a few years from now Apple takes over our entire planet’s kitchens, or simply the entire planet, making the tele-transport of food, or anything else for that matter, possible. Imagine instantly getting a hold of something that you ordered just seconds ago through your TV screen. And the shoes you’ve been wishing to see on your feet, yes, shoes!—imagine that!—or pizza, since we’re still very much on the topic—picture them materializing right in front of you without actually having taken a trip to the store or waited for your internet or catalog order to arrive. Again, we’re at a time when the tele-transport of things through the TV screen has just been made very possible, which quite possibly is the very next thing on the techno giant's agenda. Think of a Truman and Wonka merger; I’m not sure about Truman, but Willy would surely be proud.

My second point is that Via Roma Pizza is just simply deelish, and that’s saying a whole lot for pizza found at the grocery aisle, with it’s fresh tasting mozzarella, savory sauce, and tender whole-grain crust—if you cook it just right; I find that baking it for 20 min at 400 ends up charring it, as is the case with most directions, so ease up on it, follow your guts, and just eyeball it through the oven door around the 12th to 15th min of baking, keeping your eye just close enough to the door to see the pizza—no, we don’t want your eye getting burned itself by the hot door.

I’m quite surprised by the pizza's high quality for it’s low price of $4.99, more than I am with the whole Apple revolution, which I’m actually starting to feel a wee bit wary of— honestly, just what would be the point of going out if you could do everything right on your TV; it’s bad enough that we now have more car accidents for forgetting that we’re actually supposed to be driving the car while driving a car, instead of using our cell phones. But just what do I know. The world will continue to spin in this virtual velocity that it has already far been catapulted into. I just hope that this virtual and technological force that we’re in doesn’t implode in our faces down the road. Hopefully, the old fashioned things, even in their restored or renovated forms, will come to the rescue.

Anyway, here’s to Via Roma pizza. And maybe a glass of wine—to you, because I can't do wine. My stomach turns, so blame it on my guts. But I do coffee, anytime, all the time, on the rocks.

Newsboys "Born Again" @ Ocean Grove

Recently been hailed as Newsboys 2.0, the band is indeed born again, as the title track of their latest album proclaims, with new frontman, Michael Tait.Video taken @ the concert held in Ocean Grove, NJ on April 21, 2010.

Oxymoron (poeTry)

by amica paige



A doubtful believer
and a hopeful skeptic.
A skeptical supporter
and a faithful cynic.
A cynical optimist
and a cheerful pessimist.
A philanthropist who hates
a misanthropist that cares.

I am an oxymoron,
a walking contradiction.
A lowly narcissist
and a godly sinner.

Like the lame that walked
and the doubting Thomas.
In seeing he believed,
like the blind that saw.
But blessed are those
who believed, but did not see
said the Man who lived
to die and give
the dead a life.

Matt Maher: Alive Again

Matt Maher’s album, ALIVE AGAIN, so aptly named, is a breath of fresh air in today’s polluted airwaves, wherein “cool tunes”, per se, rule over substance, and mere noise have replaced real music, as these misguided and image-driven artists, in blind pursuit of relevance, continue to embrace bland formulas and popularity over their God-given talents and musical integrity.

This unpretentious, stripped-down music displays a genuine balance between substance and creativity, without the latter running amok solely for its own sake; take note of Maher’s vocal ease and Audrey Assad’s cool harmony in a couple of tracks, especially in "Garden". With its lyrical and melodic strength, this album is solid and certainly deserves some serious airtime in its entirety, though my favorites are "Alive Again", "Sing Over Your Children", "Hold Us Together", "Love Comes Down", "Letting Go", "You Were on the Cross", "Christ is Risen", and "Garden". Each track eloquently delivers a message that turns your thoughts to our glorious Creator who richly blesses, even with eternal life, which many of us would rather reject, instead of actively seek or honestly question God.

Pick up the album, if you care to nourish your spirit. The music is a gem for the jaded listener, and may very well make you feel alive again. Plainly put, it is food for the soul and the lyrics are included in the no fuss, yet artful insert.

"I was looking outside
As if love would ever want to hide”

“No scheme of man…
separatesUs from Your hand…”

“I flirt with the world…
But Your gaze stops my heart”

“Glorious beyond measure
Bending low to wash His traitor’s
feet…
Why would a king do such a thing?”

“Where were you when all that I’ve hoped
for
Came crashing down in shambles around
me”

“O death, where is your sting?
O hell, where is your victory?
O church come stand in the light
Our God is not dead
He’s alive! He’s alive!”

“Your love’s so strongI can’t recall
What was this thing
They called the fall?
…the mournful
rejoicing
Seeing through tears
Of peace overflowing…”

Newsboys' Miracles @ Ocean Grove

I just love the energy in the song, "Miracles", by the Newsboys; it's got the 80's vibe, reminiscent of the period's pop exuberance in the likes of Iggy Pop and The Cars. With their latest album, Born Again, and new frontman, Michael Tait, the Newsboys has indeed been reborn, and this rebirth only proves promising. This concert was held at Ocean Grove, New Jersey, August 21, 2010. Video taken by Gordon Saylor of Society's Elite and edited by me of course.

Interview with Newsboys' Duncan Phillips

Exclusive interview with Duncan Phillips of Newsboys on the band's recent rebirth with their latest album, "Born Again", and new lead singer, long-time friend, and vocal powerhouse, Michael Tait, who may very well carry the torch, passed on to him by ex-frontman, Peter Furler, far beyond fresh starts and onto greater musical heights. This is not to say that the band's lasting vigor, with Furler in the picture, is now overshadowed and will soon be forgotten, especially considering the level that they've reached; on the contrary, Furler, Joel, Davis, Frankenstein, and Phillips would perhaps always be deemed as the quintessential Newsboys. But the band's future with Tait, formerly of dc Talk, has already proved promising, with their "Born Again" album shooting up to No.4 in its opening week on the Billboard's Top 200, alongside Sting, Eminem, and MIA. During the Newsboys' recent concert at Ocean Grove, New Jersey, Duncan sat down to reflect on his band's past, present, and future with, his family and his faith, with host, Gordon Saylor of Society's Elite. This video was recorded by Joseph Saylor and edited by yours truly.

Mohammad Karimi's Story

This beautiful story shows that sometimes all it takes are open hearts and willing hands for miracles to happen. Aol News has the full story.

Killing Unicorns is killing dolphins is killing innocent lives

Killing gentle dolphins for bait is just like slaughtering horses and feeding them to pigs to fatten them up for our consumption. It's just so WRONG. These fishermen don't think about the damage they are causing to the region's ecosystem. Whatever happened to the plain old cast-your-net to catch the fish that you massively consume. Greed and ignorance surely go hand in hand. And these twits commit this evil act because nobody's stopping them. I hope that the smarter people in that region step up immediately to stop this heinous crime. Or does the government there find catfish extremely irresistible too?—I don't even want to know. It would also be horrible to imagine what bait the twits will resort to next should they ever run out of the unsuspecting creatures in the future. Click on the following image released by the INPA for the full story from the Associated Press.

Summer Music at the Park

With all the madness going on in the world, it's good to sit back once in a while and hang with real musicians, such as these folks who entertained onlookers at Washington Square Park in the summer of 2007; where was I in the subsequent summers of 2008 and 2009?—I wonder. Too bad I didn't come up to find out the group's name then. Hopefully, they'll be out there again this summer. The prospect of great music at the park for free is too good to miss, even if later you should feel like dropping a bill or two in their container. It's still a breath of fresh air from all the mess around us.

The Living Door

One of my quirks is catching scenes that most people don’t notice or would probably just ignore even if they did. These architectural pieces at a station, this—I don’t know, adornment?—immediately caught my attention, as my eyes are usually drawn to cool hues or dark reds. But I had very scant storage left in my camera, hence the meager clip, repeatedly pasted and edited of course; the original was a mere two seconds, so why not. Design wise and though they are visually pleasing, I don’t know why the planners even bothered with placing the two windows randomly on just one side of the door; the beautiful door with its artificial patina standing alone between the lamps would have sufficed and been more compelling and magical, if that was the look they were after. Or if they had to have the nice windows, one on each side of the door would have made a more convincing design. I’m just saying. Okay, maybe I’m reading too much into it and the structures aren’t really even what I think they are, but mere decorative wall partitions, though they surely look like a door and a pair of windows. Besides people think differently, I know. I rest my case. Anyway, I call this The Living Door, since it appears to have made a slight movement in the clip, as if it had been standing for a long time and needed to shift its weight a bit. All right, it’s only the camera’s movement. Just don’t ask me what the deal is with the windows anymore; though I do love windows. Like eyes are to the soul, they let the light in. So stay away from windowless souls, I mean rooms, unless you love being in the dark. Okay, enough said.

The Sorceress

I finally had the time to read The Sorceress, and had my fill indeed, at least for the time-being until I get my hands on the next book. As with the previous books, this third sequel in the fantastic tale, The Secrets of the Immortal Nicholas Flamel, is an exhilarating ride right from the start, as monsters-in-disguise chase the protagonists through St. Pancras Station to the Sorceress’ escape from Alcatraz. This edition equally brims with mounting battles, surprising turns, unforeseen alliances, and unexpected encounters, on top of endless references to legendary characters, both fictional and factual, if you can handle a bit of information overload. The Saracen Knight, Shakespeare, and Gilgamesh all turn up this time amidst an onslaught of some of the most grotesque creatures to ever emerge in any mythical realm—sea-creatures, flesh-eaters, vampire breeds, the Horned God, wolf-men, and other beasts, dog-like, bear-like, goat-like, and definitely unlike we’ve ever seen before. Even the fabled Virginia Dare and Billy the Kid make their devious appearance alongside the enemies, as well as "normal-looking humans which are "the most frightening of all" for Josh Newman. I’m very curious about how this incredible epic will be translated onto the big screen. I’m hoping that the filmmakers come close enough to Scott’s literary creation and not lose the story in its immensity, which seems common to big productions getting too caught up in their hullabaloos.

As the race to save or destroy mankind heats up, the Flamels still haven’t recovered the book of Abraham the Mage from their adversary, the English Magician, and so continue to age significantly and weaken. Meanwhile, their time to protect the human race runs grim as the summer solstice, Litha, draws near. On that day, the twins’ auras will have reached their full strength as the barriers to the Shadowrealms weaken, thus enabling the Dark Elders to unleash inconceivable horrors to wipe out humanity and reclaim the world. Sure enough, Dee and Macchiavelli get desperately busy in their pursuit of the Flamels, the twins of legend, Sophie and Josh, and the last two pages of the codex for the Dark Elders, or risk their own immortalities. But of course, the Alchemist and the Sorceress have other plans than to simply surrender or drop dead. As Perenelle attempts to escape the monster-infested prison through her cunning and great sorcery, Nicholas must prevail in having the twins fully trained in elemental magic before it’s too late. But their next lesson is with a mad, old King, which could be quite troublesome. Even more problematic is the twins’ growing distrust of the evasive Alchemist, which surely doesn’t help ease the situation, though it certainly makes for a more intriguing plot. Then, there’s Clarent, Excalibur’s twin sword, to further complicate the matter. As Josh slowly realizes Clarent’s dark influence, Dee’s desire for it only deepens, especially since he already possesses the other blade. And while the strengths of both swords are unmistakable, the force that they could yield together is unthinkable, particularly in the hands of one with an insatiable thirst for knowledge and power, like the Magician. The swords' existence poses a new question: could they be the prophesied “two that are one”?

Deeper twists unravel as the events in this blazing saga unfold—events that surely don’t come without a fight. Yet even with its never-ending battles, at the heart of this fascinating story are timeless themes that reveal humanity's ongoing inner struggles for hope in the darkest hours, perseverance through the most difficult obstacles, courage against the most formidable foes, empathy for even the most dubious characters, forgiveness for the grossest wrongs, a chance of redemption for the offender, trust even when no one seems worthy of it, loyalty amidst great uncertainty, the bonds of families and friendships, and ultimately, the good of mankind, not self-preservation, but a genuine concern for life. Like all other insightful narratives, this story challenges the conventional view and blurs the line between good and evil. Michael Scott has yet again brewed an enchanting concoction, a true “conjugation”, a perfect equilibrium of magic and history, because “at the heart of every story is a grain of truth.”

Jessica's Daily Affirmation

Haven't checked in for a while, but here's one simple but great clip actually worth squeezing in time for. One of AOL's headlines and a Parentdish post, this is a clear reminder that happiness lies in gratitude and contentment. Sadly, we, adults, forget that bit of wisdom in our efforts to succeed and find life's greatest pleasures. We abandon the very thing we seek and snatch it away from our children. They get it, at least until the grown-ups immediately prepare them for life, that they might also find success, and thus happiness. We drag them to search with us, not realizing that we ourselves slowly stamp it out of their hearts. We chisel away at their innocence and, ironically, confidence--their belief to be great and do great things in life.

But once upon a time, we, too, knew happiness. We held it, just like this little girl embraces it. Sometimes it's nice to be reminded of the simplicity of wisdom by a child, that we may just believe again in its magic.

The Tenth Letter

“…I can only wish that you trustingly and patiently allow that grand solitude to work in you. It is no longer possible to be erased from your life. It shall be immanent in all that you experience and all that you do. It will act as an anonymous influence, akin to how ancestral blood constantly moves and merges with our own and links with that of the individual, never to be unlinked. It is gently decisive at each crossroad of our life…

…Art also is only a way of life, and we can, no matter how we live, and without knowing it, prepare ourselves for it. With each encounter with truth one draws nearer to reaching communion with it, more so than those in unreal, half-artistic careers—by pretending proximity to art. All those in the field of journalism and nearly all critics do it, as well as three-fourths of those engaged in literature, or who wish to call it that. I am glad that you have overcome the danger of being caught up in such a realm, and that you are somewhere in a rugged reality alone and courageous”

The Ninth Letter

“…It is always my wish that you might find enough patience within you to endure, and enough innocence to have faith…that you might gain more and more trust in whatever is difficult for you, in your aloneness, among other things. Allow life to happen to you…life is right in all cases.

…All feelings that integrate and inspire are pure. Impure is the feeling that touches only one side of your being and is tearing you up so…Everything that causes you to be more than you have been in your best hours is right. Every advancement is good if it pervades your whole bloodstream, when it is not due to intoxication, not due to being conditioned to sadness, but to transparent joy…

You doubt can become a good attribute if you discipline it. It must become a knowing; it must become the critic. Ask it, as often as it wishes to spoil something, why something is ugly. Demand proof of it, test it, and you will find it perhaps perplexed and confused, perhaps also in protest. But don’t give in; demand arguments. Act with alertness and responsibility, each and every time, and the day will come when doubt will change from a destroyer to become one of you best fellow workers, perhaps the wisest of all that have a part in building your life. …of life and death…both are great and wonderful.

The Eighth Letter

***The first three letters were posted in "10 days of Rilke 'til Christmas" in December 2009. Unfortunately the rest of the ten letters weren't posted by then, so here's the rest of this very profound writing for your enlightenment.

Letters to a young poet
Rainer Maria Rilke

“…You have encountered many very sad experiences, which by now have passed…Please, dear friend, think about this: Did not this great sadness rather pass through you? Did not much within you change?…The only sad experiences which are dangerous and bad are those that one reveals to people in order to drown them out. Like illnesses treated superficially and incompetently, they retreat and, after a short pause, break out even more intensely. They gather together within the self and are life. They are life unlived, ridiculed and scorned…

…I believe that nearly all our griefs are moments of tension. We perceive them as crippling because we no longer hear signs of life from our estranged emotions. We are alone with the strange thing that has stepped into our presence. For a moment everything intimate and familiar has been taken from us. We stand in the midst of a transition, where we cannot remain standing.

And this is the reason the sadness passes: the something new within us…has entered out heart…into its innermost chamber and is no longer there either — it is already in the blood. And we do not find out what it was. One could easily make us believe that nothing happened; and yet we have been changed, as a house is changed when a guest has entered it. We cannot say who came; we shall perhaps never know. But many signals affirm that the future has stepped into us in such a way as to change itself into us, and that long before it manifests itself outwardly.

Therefore it is so important to be alone and observant when one is sad. The seemingly uneventful moment, when our future really enters in, is very much closer to reality than that other loud and fortuitous point in time, when it happens as if coming from the outside. The quieter and more patient, the more open we are when we are sad, the more resolutely does that something new enter into us, the deeper it is absorbed in us, the more certain we are to secure it, and the more certain it is to become our personal destiny…our evolvement will gradually go in that direction: nothing strange shall befall us, but rather that which has already for a long time belonged to us.

…it is possible that we shall gradually learn to recognize that what we call fate emerges from human beings; it does not enter into them from the outside. It is only because so many did not absorb their destinies while they lived in them, did not transform them into themselves, that they did not recognize what emerged from them. Their fate was so strange to them that in their confused fright they believed it must just now have entered into them. For they swore never before to have found anything similar within themselves. As people were mistaken so long about the movement of the sun, so it is that people are yet mistaken about the movement of what is to come. The future stands firm and still…but we are moving in infinite space.

Why should we not encounter difficulties?
To return to the subject of aloneness: It becomes increasingly clear that it is basically not something we can choose to have or not have. We simply are alone. One can only delude one’s self and act as though it were not so — that is all. How much better…that we concede we are solitary beings… Our minds will certainly reel at the thought, for all points on which we could heretofore focus shall be taken from us. There is nothing near and familiar left us; everything is in the distance, unendingly far away.

A person would have a similar feeling, were he…taken from his home and placed on…a high mountain. It would be a feeling of unequaled uncertainty — a vulnerability to a nameless something would nearly destroy him…

Some of these changes cause many to lose all perspective…as with the man on the pinnacle of the mountain…But it is necessary that we experience that also. We must accept our existence to the greatest extent possible; everything, the unprecedented also...That is…the only case of courage required of us: to be courageous in the face of the strangest, the most whimsical and unexplainable thing that we could encounter.

The fact that people have been cowards in that regard has caused infinite harm to life. The experiences that one calls ‘ghosts,’ the entire spirit world, death, all these related things have been forced out of life through daily resistance to such an extent that the senses with which we could grasp them have become atrophied. And that is not even considering the question of God.

The fear of the unexplainable not only impoverished the existence of the individual, but also caused the relationships of one person to another to be limited…For it is inertia alone that causes the unspeakably monotonous and unrenewed human condition to repeat itself again and again. It is the aversion to anything new, any unpredictable experienced, which is believed to be untenable.

Only he who can expect anything, who does not exclude even the mysterious, will have a relationship to life greater than just being alive; he will exhaust his own wellspring of being… …every uncertainty fraught with danger is so much more human. It is the same uncertainty that motivated the prisoners in Edgar Allen Poe’s stories to explore the form of their terrible prisons and not be a stranger to the unspeakable horrors of their presence there.

But we are not prisoners. There are no traps or snares set for us…We are placed into life, into the element best suited to it. Besides, through thousands of years of adaptation, we have acquired such a resemblance to this life, that we, if we stood still, would hardly be distinguishable from our surroundings. We have not reason to mistrust our world, for it is not against us. If it has terrors, they are our own terrors…if we fashion our life according to that principle, which advises us to embrace that which is difficult, then that which appears to us to be the very strangest will become the most worthy of our trust, and the truest.

How could we be capable of forgetting the old myths that stand at the threshold of all mankind, myths of dragons transforming themselves at the last moment into princesses? Perhaps all dragons in our lives are really princesses just waiting to see us just once being beautiful and courageous. Perhaps everything fearful is basically helplessness that seeks our help.

You must not be frightened…when a sadness arises within you of such magnitude as you have never experienced, or when restlessness overshadows all you do, like light and the shadow of clouds gliding over your hand. You must believe that something is happening to you, that life has not forgotten you, that it holds you in its hand. It shall not let you fall.

Why should you want to exclude any anxiety…grief…melancholy from you life, since you do not know what it is that these conditions are accomplishing in you? Why do you want to persecute yourself with the question of where everything comes from and where it is headed? You do know that you are in a period of transition and wish for nothing as much as to transform yourself. If some aspect of your life is not well, then consider the illness to be the means for an organism to free itself from something foreign to it. In that case you must help it to be ill and to have its whole illness, to let it break out. That is the course of its progress…

…Do not scrutinize yourself too closely. Do not draw conclusions too quickly from that which is happening to you. Just allow it to happen. Otherwise you might easily begin to look with blame…upon your past, which, of course, is very much a part of everything that you encounter now…The influences of the vagaries, the wishes and the longings of you boyhood upon your present life are not the ones you remember or pass judgment on. The unusual conditions of a lonely and helpless childhood are so difficult, so complicated, vulnerable to so many influences, and at the same time so distant from all real connections with life, that, whenever a vice may have entered, one may not simply call it a vice. One must, in any case, be very careful with that nomenclature. It is often the name of the crime upon which a life shatters, not the nameless and personal act itself at all. It might have been a definite necessity of this person’s life, of which he may simply have availed himself.

The expending of effort seems so important to you only because you value victory too much…It is not the ‘great thing’ that you believe to have achieved, even though you have a right to your feelings. The great thing is that there was something already present—and you were allowed to substitute it in place of your misconceptions—something true and real. Without it your victory also would have just been a mere moral reaction without meaning. As it is, it has become a chapter in your life…

Do you recall, from your childhood on, how very much this life of yours has longed for greatness? ...That is why it does not let up being difficult, but that is also why it will not cease to grow.

The Seventh Letter

***The first three letters were posted in "10 days of Rilke 'til Christmas" in December 2009. Unfortunately the rest of the ten letters weren't posted by then, so here's the rest of this very profound writing for your enlightenment.

Letters to a young poet

Rainer Maria Rilke

“…It is the best of your verses that I have had the privilege to read. …now I shall give you my copy of them, for I know that it is important…a new experience to find one’s own work again in someone else’s handwriting. Read these verses as though you had never seen them before…you will feel…how very much they are your own…

…Do not allow yourself to be confused in your aloneness by the something within you that wishes to be released from it. This very wish, if you will calmly and deliberately use it as a tool, will help to expand your solitude into far distant realms. People have, with the help of so many conventions, resolved everything the easy way, on the easiest side of easy. But it is clear that we must embrace struggle. Every living thing conforms to it. Everything in nature grows and struggles in its own way, establishing its own identity, insisting on it at all cost, against all resistance. We can be sure of very little, but the need to court struggle is a surety that will not leave us…The fact that something is difficult must be one more reason to do it.

To love is also good, for love is difficult. For one human being to love another is perhaps the most difficult task of all, the epitome, the ultimate test. It is that striving for which all other striving is merely preparation. For that reason young people — who are beginners in everything — cannot yet love; they do not know how...Thus to love constantly and far into a lifespan is…heightened and deepened aloneness for one who loves.

Love does not at first have anything to do with arousal, surrender, and uniting with another being — for what union can be built upon uncertainty, immaturity, and lack of coherence? Love is a high inducement for individuals to ripen, to strive to mature in the inner self, to manifest maturity in the outer world, to become that manifestation for the sake of another. This is a great, demanding task; it calls one to expand one’s horizon greatly. Only in this sense, as the task to work on themselves…and to listen, ought young people use the love granted them. Opening one’s self, and surrendering, and every kind of communion are not for them yet, they must for a …very long time gather and harbor experience. It is the final goal, perhaps one which human beings as yet hardly ever seek to attain.

Young people often err…since it is their nature to be impatient…

…They lose perspective and limit opportunities…Society has known how to create every kind of refuge conceivable. Since it is inclined to perceive love…as entertainment, it needs to display it as easily available, inexpensive, safe, and reliable, just like common public entertainment…

…Questions of love are personal, intimate questions, from one person to another, that in every case require a new, special, and an exclusively personal answer…

…Whoever will seriously consider the question of love will find that, as with the question of death…there is no enlightened answer… not the hint of a path has yet been found…no comforting principle…none finding general agreement.

But to the same degree that we as individuals begin to explore life…these deep things surface for each of us in greater intimacy…the difficult work of love demands of our evolvement overwhelms us; it is larger than life. We, as yet beginners, are not equal to it. If we persevere after all, and take this love upon us, accepting it as a burden and a time of training, instead of losing ourselves to the frivolous and careless game behind which people have hidden themselves, not willing to face the most serious question of their being — then perhaps shall a small bit of progress be perceptible as well as some relief for those to come after us…”

The Sixth Letter

***The first three letters were posted in "10 days of Rilke 'til Christmas" in December 2009. Unfortunately the rest of the ten letters weren't posted by then, so here's the rest of this very profound writing for your enlightenment.

Letters to a young poet
Rainer Maria Rilke

“You should not be without a greeting from me at Christmastime, when in the midst of the festivities your feeling of aloneness is apt to weigh more heavily upon you. Whenever you notice that it looms large, then be glad about it. For what would aloneness be…if it did not possess greatness? There exists only one aloneness, …and it is not easy to bear. To nearly everyone come those hours that we would gladly exchange for…most banal camaraderie… the second-best or the most unworthy thing. But perhaps it is exactly in those hours when aloneness can flourish. Its growth is painful as the growing up of a young boy and sad as the emergence of springtime.

…what you need is…inner solitude. To go within and for hours not to meet anyone…To be lonely as one was lonely as a child, while adults were moving about…—that must be the goal. And when you realize one day that their activities are superficial, that their careers are paralyzed and no longer linked with life,…why not look at the world as a child would see it—out of the depths of your own world, out of the breadth of your own aloneness…?

…reflect on the world that you carry within yourself. And name this thinking what you wish. It might be recollections of your childhood or yearning for your own future…observe carefully what wells up within you and place that above everything that you notice around you. Your innermost happening is worth all your love.

Do not expend too much courage or time to clarify your position to others…The individual person who senses his aloneness…only he, is…subject to the deep laws, the cosmic laws…

…draw close to those things that will not ever leave you. The nights are still there and the winds that roam through the trees...Amidst things and among animals are happenings in which you can participate. The children too, are still the same as you were as a child, sad and happy in the same way…if you think about your childhood, then you can again live among…the lonely children—where the adults count for nothing...

And if it is distressing…for you to think of your childhood…of the simplicity and silence so close akin to it, because you no longer believe in God…ask yourself…whether you have really lost God. Is it not…that you have not yet possessed him? …when could that have been? Do you think a child can hold him, …whose weight crushes the aged ones...that the one possessing him could lose him like a little stone? Or do you not…agree that he who might have him could be lost by him? …if you conclude that he did not exist in your childhood and not before that…and if you, with great dismay, feel that he does not exist, even during this hour…what right have you then to miss him, like someone out of the past, him, who never existed, and to seek him as though he were lost?

Why don’t you think of him as the coming one, who has been at hand since eternity, the future one, the final fruit of a tree, with us as its leaves? ...Don’t you see that everything that happens becomes a beginning again and again? Could it not be his beginning, since a beginning in itself is always so beautiful? If, however, he is the most perfect one, would not what is less than perfect have to precede him, so that he can choose himself from great abundance? Would not he have to be the last one, in order to envelop everything within himself? And what sense would our existence make, if the one we longed for had already had his existence in the past?

…Is there anything now that can rob you of the hope of someday being in him, who is the ultimate, in the infinite future, as once he was in your past?

Celebrate Christmas…with this reverent feeling that he perhaps needs exactly this, your fear of life, in order to begin. Perhaps these very days of your transition are the times that he is touched by everything with you…”

The Fifth Letter

***The first three letters were posted in "10 days of Rilke 'til Christmas" in December 2009. Unfortunately the rest of the ten letters weren't posted by then, so here's the rest of this very profound writing for your enlightenment.

Letters to a young poet
Rainer Maria Rilke

“…Rome, if one does not know the city, can be depressingly sad for the first few days…because it exudes a death-like, dreary atmosphere, typical of museums. The over-abundant relics of the past have been resurrected and their revival maintained with tremendous effort. From them a very small segment presently makes its living. All of these distorted and stale things are basically nothing more than coincidental remnants of another era and another kind of life, which is not ours and should not be considered as our own. They have been indiscriminately overrated by many…

…One says to himself: No, there is not more beauty here than else where. All these things have been restored and improved by the work of craftsmen. They have been and are admired and revered by generations past and present, and that will continue into the future. All these things mean nothing, are nothing, and have no heart, no worth. Yet there is much beauty here.

There is much beauty here because there is much beauty everywhere. Unending streams of lively water flow over the old aqueducts in the large city. They dance in the city squares over white stone bowls and spread themselves out in wide roomy basins. They rustle by day and raise their voice to the night. Night here is grand, expansive, soft from the winds, and full of stars. And gardens are here, unforgettable avenues lined with trees. And staircases are here, steps conceived by Michelangelo, steps that were modeled after downward gliding waters, broad in their descent, one step giving birth to another, as wave form wave. Through such impressions one composes of the multiplicities that speak and chatter. (How talkative they are!) One gradually learns to recognize the very few things in which eternity dwells, which one con love, and solitude, of which one can softly partake…”

The Fourth Letter

***The first three letters were posted in "10 days of Rilke 'til Christmas" in December 2009. Unfortunately the rest of the ten letters weren't posted by then, so here's the rest of this very profound writing for your enlightenment.

Letters to a young poet
Rainer Maria Rilke

“…If you will stay close to nature, to its simplicity, to the small things hardly noticeable, those things can unexpectedly become great and immeasurable…

You are so young; you stand before beginnings…have patience with everything that remains unsolved in your heart…love the questions themselves, like locked rooms…like books written in a foreign language. Do not now look for the answers. They cannot…be given to you because you could not live them. It is a question of experiencing everything. At present…live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer some distant day…
…everything assigned to us is a challenge; nearly everything that matters is a challenge, and everything matters…

Man has transformed eating into something else. Lack on the one hand and excess on the other have clouded the clarity of this basic need. Similarly cloudy have become all the deep and simple human needs in which life renews itself. But the individual can clarify them for himself and can live that clarity—as long as he is not too dependent on others, as long as he has a pact with aloneness.

…The earth is full of this secret down to her smallest things. Oh, that we would only receive this secret more humbly, bear it more earnestly, endure it, and feel how awesomely difficult it is, rather than to take it lightly…

Do not allow yourself to be misled by the surfaces of things…

…embrace your solitude and love it. Endure the pain it causes, and try to sing out with it. For those near to you are distant, you say. That shows it is beginning to dawn around you; there is an expanse opening about you. And when your nearness becomes distant, then you have already expanded for: to being among the stars. Your horizon has widened greatly. Rejoice in your growth. No one can join you in that…

…your pact with aloneness will be your support and solace even in the midst of unfamiliar situations. It is through that aloneness that you will find all your paths…”